Album Review: Grieves - Together/Apart

Together/Apart is Grieves' (with the help of Budo on production) first release under the Rhymesayers label. For those that have never heard of the 26yr old Seattle MC, he's one hell of a rapper. You're unlikely to hear more evocative imagery come out the mouth of anyone in the genre. Stylistically i feel Grieves is best compared to fellow Rhymesayers counterparts Dessa (of Doomtree) and Brother Ali. As Brother Ali is fairly well known i'll continue the comparison; both MC's put a large emphasis on introspective and reflective content (Grieves more-so even than Brother Ali), both have distinct and strong deliveries, great flows and the ability to both sing (well, i might add) and incorporate melodies and tempo changes effortlessly into their bar structure.Where Grieves differs is how his self-analytical musings are framed, his content is not delivered conventionally and instead he has a penchant for more abstract writing and imagery packed metaphors.

Swallow that lump inside of your throat
Open up the closet and push aside all the clothes
You believe, and never needed more to be said
To leave you scared of that little gap between the floor and your bed
So you jump, leaping over all over your options
And retreat right back to that bed we call a coffin
To sleep, never actually getting a wink
Due to all the little devils that dance around in your dreams
And attack you, pull you under the bed with their hands
And take away the chance of you ever making a stand
And if anything actually ever went as you planned
That you could retrace the steps you ran
But only if it hits, if it speaks
You could fight it to the death in the streets
You'll grip those sheets in attempt to hide
And figure out that you've been running from the feeling of never leaving alive

As you can see, the writing is complex and at times cryptic but Grieves' delivery and tone is both immediate and relatable and Budo's production (for the most part) complements his lyrics and helps translate into sound whatever mood's being explored. Their are some outstanding pieces of production; Budo's beats are never stagnant, always changing and progressing and his instrumental piece, 'Speak Easy', is one of the albums highlights.

Together/Apart is 16 tracks long and without any filler in sight. To be fair, there are a few choruses and a beat or two that i'm not a great fan of but i'm yet to hit the skip button on one of my listens.

Highlights: Falling From You, Boogie Man, Against The Bottom, Lightspeed
Lowlights: Bloody Poetry (great lyricism but the beat and chorus let it down)

Rating: 8.7/10

The Catch Up Pt.5 (Kendrick Lamar & Black Milk)

This will be the final edition of The Catch Up and should have me up to speed with the genre over the last 3 months. For Part 4 of The Catch Up click here.

Kendrick Lamar
With Kendrick Lamar's upcoming release, Section 80, dropping in a couple of days i've held off listening to any of the leaked tracks except the following two. Suffice to say, i'm anticipating the hell out of this.

HiiiPower (Prod. J.Cole) | 10/10
This may just be the best beat J.Cole has ever produced, it is absolutely fucking phenomenal. Not to be outdone though Kendrick kills it for three verses straight and leaves us with one of the best tracks of the year so far.

My issue isn't televised and you ain't gotta tell the wise
How to stay on beat, because our life’s an instrumental
This is physical and mental, I won't sugar coat it
You'd die from diabetes if these other niggas wrote it
And everything on TV just a figment of imagination
I don't want a plastic nation, dread that like a Haitian
While you motherfuckers waiting, I be off the slave ship
Building pyramids, writing my own hieroglyphs

Download | Lyrics 

Ronald Reagan Era | 10/10
I love how well structured this track is. You have a fantastic little sung intro that (a lot like the production) manages to lay out both a cheery and melancholy mood, a great chorus thats a mix of background ad-libs, samples, sound effects and rap, some real dynamic and emotive production and Kendrick himself who's urgent delivery perfectly matches the movement of the drum track. Every little detail is attended to and it helps to elevate this song to such a high standard.
Download | Lyrics


Black Milk
Anyone searching for some more Black Milk after the latest Random Axe release should be happy with these two tracks here. Both these beats are as good as anything found on that LP.

Ketchphraze - My Detroit ft. Trick Trick & Elzhi (Prod. Black Milk) | 7/10
Ketchphraze. The name saids it all really, no one with a name that horrible is likely to have a verse worth hearing. Trick Trick is also predictably horrible but thankfully Elzhi has a great verse, the chorus gets you hyped and Black Milk produced a real head-nodder.

Download

Nametag - S.I.N ft. Quest MCODY & Buff1 (Prod. Black Milk) | 7/10
The Black Milk production and the opening verse by Nametag are the highlights here. Quest and Buff1can't keep the standard up but their verses are still far from shocking.

Download


And that's it for The Catch Up. To check out the previous installment head here.

Album Review: Vents - Marked For Death

This here is the Australian MC's second release, the follow up to his 2008 record 'Hard To Kill', and is fully produced by Trials. Straight off the bat, anyone who isn't a fan of political content in their music need not bother with this record, it has a massive focus on political and social awareness. Luckily for myself Vents' anti-capitalist, atheist, pro-drug use, anti-war, anti-ignorance world views are almost identical to mine. Such issues dominate the content in amongst a reasonable amount of battle rap (the two seem to go hand in hand nowadays).

Cinematic massacres, purges, murders, animal urges
Militarism returns, made a massive resurgence
Unkind is a word just scratching the surface
Got me thinkin that humanity, it has to be worthless

As an MC Vents has a deep voice, aggressive delivery and dominating presence as well as an enjoyable flow...unfortunately none of these ever change up. I find with an MC that lacks versatility that to be enjoyable over a full-length release the productions needs to be impressive, but more importantly varied. Trials work on the boards here isn't particuarly varied but it's not a monotone soundscape either. As for the quality, for the most part it's reasonable enough, with a few real standouts (No Rest For The Wicked is amongst my favourite beats so far this year) and a few disappointments. That said there's no filler on the album, Vents is impressive on every single track and the guest verses all deliver, it's just the monotony that tends to drag the album down and kill a lot of the replay value.

Highlights: No Rest For The Wicked, Falling, The Punisher, Rollin' Balls

Lowlights: None 

Rating: 7.4/10

Further Listening: Check out his debut album, Hard To Kill, an album with a similar tone, similar content and of a similar quality.

The Catch Up Pt.4 (Drake Edition)

Part 3 of The Catch Up is over here

In the lead up to his sophmore release, Take Care, Drake has been dropping a few tracks to build the hype up.
 
Dreams Money Can Buy (Prod. Noah “40″ Shebib) | 8/10
Noah samples the catchy Jai Paul number 'BSTU' to carve out a backdrop for Drakes in your face 'fuck your life, mines better' raps. Drakes' transitions between singing and rapping are flawless as he seamlessly drops in an out of his roles as an MC or vocalist without a misstep.

Download | Lyrics

Marvin's Room (Prod. Noah “40″ Shebib) | 9/10
Both '40' and Boi-1da don't get the praise they deserve for their production, probably due to the fact their beats are not normally as epic or grand scale as your average mainstream 'banger'. I've always said Drake is nothing particularly special as a stand alone MC but he does know how to craft a great song (and album for that matter). Marvin's Room is a great example of both my above points. Every facet of the song works perfectly together to help put you in Drakes exact mood of 'lonely arrogance'.

I don't think I'm conscious of making monsters
Outta the women I sponsor until it all goes bad

Download | Lyrics

Trust Issues (Prod. “40″ and Adrian X) | 8/10
Some more fantastic synth-heavy, 'brooding' production. Only a few bars of straight rapping and a few sing-song melody rapped bars though so be warned if you're not a fan of the singing Drake.

Download | Lyrics


View Part 3 of The Catch Up here

Part 5 (The Kendrick Lamar & Black Milk edition) coming soon.

Album Review: Bad Meets Evil - Hell: The Sequel

Ten years ago a Bad Meets Evil release would have been up their as one of my most anticipated releases ever. Nowadays though Eminem has fallen off possibly worse than anyone else ever before (admittedly he had a long way to fall) and Royce has been mediocre ever since he dropped BE2. Eminem is as expected on the release; a horrid screaming delivery, great flow, decent multi's, some of the worst and most forced punchlines you're ever likely to encounter and pretty much zero actual content. For the most part Royce is actually pretty good but he has his fair share of forced punches as well.

Cough from all the smoke, I'm tryna stay on fire
So you know if I hate fucking water sprinklers, I don't love the hose/hoes

Nowhere near a toosh, in fact if I jump out a bush
In a sneak attack's the only way I say I am-Bush

Both in the same verse as well. Someone desperately needs to let Eminem know that he can't write a decent simile to save his life.The album's production is hit-an-miss but mediocre for the most part. Bruno Mar's chorus on lighters gets old after around 3 plays and Budden and Ortiz are the only ones half decent on the slaughterhouse joint, 'Loud Noises'. The lack of any real content and the glaring flaws in relation to lyricism prevent the release from having much in the way of replay value. Some decent choruses and the odd Royce verse is the only reason I still play anyone of the songs (Take From Me, Above The Law, Fast Lane) at all really. Those with a fetish for multisyllable rhyme schemes will enjoy the release (really, the rhyming is impressive in parts but just as often forced), most everyone else will find it listenable for a short while (they do both have great flows) and forget about it come years end.

Highlights: Above The Law (Royce's portion anyway)
Lowlights: Kiss, On Everything, Lighters

Rating: 6.2/10

Album Review: Elzhi - Elmatic

If anyone was ever suited to recreating Illmatic, It was Elzhi (and no, not because 'El' is similar to 'ill'...smh). His rhyme scheme heavy bars and 'street' orientated content, together with his flawless flow are a great match to what Nas was doing in the mid 90's. What ELzhi has managed to do though is pay tribute to the classic LP while putting his won touch to it. Will Sessions did a, quite frankly, brilliant job in recreating the production while adding a Detroit feel to it and some of the intro's/outro's are stunning, particuarly the intro to Represent (man does that get me pumped!) and the outro to 'One Love'. Elzhi himself is pretty much flawless and puts on one of his best performances to date with his take on 'Memory Lane' being one of my favourite tracks of his to date.

So I visited places where spots got shot on a daily basis
Where kids pull triggers with babyfaces
Wait, I must be on the wrong side of the lane trail
Where they rob memory banks and end up in the brain cell
Where all my misery and pain dwell
I'm said to leave out my state of mind before the train bail

Much like the original record there is zero filler and the whole release has a ton of replay value. I'd say the only real mishap is the lone guest verse, Royce's on 'Life's A Bitch'. No one expected him to compete with AZ's classic bars but he could have at least put in one of his better verses knowing the comparisons that were going to be drawn.

Highlights: Detroit State of Mind, Memory Lane, Represent
Lowlights: None

Rating: 9.0/10

More Elzhi: Check out his Black Milk produced debut, 'The Preface'.